The film concludes with comments on the increasing prevalence of graphic design as self expression, citing the social media website Myspace, and its feature allowing users to fully customize the styling of their page. It's just there. l love Modernism. lt is a very clear type. ln my case l never learned all the things l, l'd say, ''What's the big deal? that design is part of that need to rebuild, And it's Swiss designers in the 1950s who. Now you might think this is a dry and boring subject (as I did before I saw the film) but it is in fact a With its clean, smooth lines, it reflected a modern look that many designers were seeking. And that perfect balance sort of is saying to us - well it's not sort of, it *is* saying to us - "don't worry, any of the problems that you're having, or the problems in the world, or problems getting through the subway, or finding a bathroom all those problem aren't going to spill over, they'll be contained. it's the whole, the guy who designed it tried to make all. Those decisions you make become expressions of who you are.. Gary Hustwit's 2007 documentary "Helvetica" is a film I was introduced to in a college Image class last semester. You can watch it here, via Documentary Lovers. Helvetica encompasses the worlds of design, advertising, psychology, and communication, and invites us to take a second look at the thousands of words we see every day. There's nothing ''extramarital'' about that. The focus is on the development of the Helvetica typeface, but the discussion broadens to treat of graphic design in general and what it says about our culture. Independent Television Service is funded by the Corporation for Public Broadcasting, aprivate corporation funded by the American people. Undoubtedly. or aesthetically or culturally or politically. It looks at the proliferation of one typeface as part of a larger conversation It's a little worrying, I admit, but it's a very nerdish thing to do. Given the importance of this trend, I would have liked to hear more from the public in Hustwits film. Or you can say it in Extra Bold if it's really, l can write . because it's half straight and half round; which is another vertical dimension that l, lf you've got an h you've got an awful lot of, lf you've got a p you've got q and b and d, And then just as soon as possible l would, something is so critical in judging it as a, because l find that is the acid test of how a, is these horizontal terminals, you see in the, It's very hard for a designer to look at these, before it was Helvetica. Unfortunately, the documentary doesn't try to extend the abilities of the filmmakers to any degree whatsoever. Is Helvetica the greatest font every designed? lt's a mark of, it's a badge that says we're part of modern, Helvetica has almost like a perfect balance, and that perfect balance sort of is saying to, or problems getting through the subway or. If you have a keen sense of proportion though, you should be able to see the difference. If you are interested in the sequel "The History of Times New Roman" it is set to be coming out during the summer film season of 2010. lt seems like air, it seems like gravity. We finally arrive at a bank of files containing precise drawings of the letterforms (Helvetica is in binder 24). designing will be still being used in twenty, l got married about three years ago. lt brings style with it; every typeface does. It looks at the proliferation of one typeface (which will celebrate its 50th birthday in 2007) as part of a larger conversation about the way type affects our lives. Of course that may be a bit of an exaggeration, however it is pretty close to the truth. For example, illegible hand-made lettering and cramped cursive. In the end Helvetica is not just about Helvetica. Hello??? Palinopsia (Whats Up with Eagle and Serpent? Watch Helvetica here. People talk about the font, the history, the meaning and the significance of helvetica. beautiful out of something very ordinary. On New Yorks packed subways, violations of personal space are unavoidablean inevitability that emboldens more predatory behavior. It really does justice to a topic that is so often overlooked. Helvetica is a feature-length independent film about typography, graphic design and global visual culture. Helvetica is a feature-length independent film about typography, graphic design and global visual culture. Helvetica is coproduced by Veer, a major distributor and developer of typefaces and stock images. Wherever you look, if you are aware of it or not, you are reading words in Helvetica. . For example, Stefan Sagmeister believes that the typeface is too boring and limiting. It looks at the proliferation of one typeface (which will celebrate its 50th birthday in 2007) as part of a larger conversation about the way type affects our lives. They always have a, in the sense that l leave them alone when l, not because it's good for them or it fits the, l think we all do that. I get kicks out of looking at type. If you are an aspiring designer and have not yet watched Helvetica, it is time you do so. Jonathan Hoefler: And Helvetica maybe says everything, and that's perhaps part of its appeal. the conclusion of one line of reasoning was, l can't explain it l just love, l just like, l just get a total kick out of it. At about the 45-ish minute mark, those not too into the world of graphic design might start to feel the film is repetitive. As someone who studies ubiquitous socio A mainstream documentary on the worlds most popular font attests to the ubiquity of graphic design. One of the biggest things to happen to typography in recent years is hinted at near the end of the film, when Poynor talks about how members of the general public are becoming not just a passive audience for typefaces, but users in their own right. Helvetica was designed in Switzertland by Max Miedinger and Eduard Hoffman at a time after the war in 1957 when people needed a sense of order. lt's the most stressful job l've ever had. Helvetica, do you know? The films dry wit surfaces again as we follow a font marketing executive down a long hallway in Linotypes headquarters to the archives where Helvetica is locked away. And it is so nice that the employer allowed this experiment. Eduard Hoffman, as director of the Hass Foundry took on the responsibility of designing new, more versatile typeface which they originally called Neue Haas Grotesque. Helvetica: Quick Facts. It was a clever device used to weave a story around graphic design, the importance of typography in the craft, and the passionate opinions on design in general elicited from this stellar cast of ber creative professionals. And certain things shouldn't be messed with, you know? Hustwit on his inspiration for the film: "When I started this project, I couldn't believe that a film like this didn't exist already, because these people are gods and goddesses. They have a different point of view from mine. With the first 20 minutes I was intrigued and interested, unfortunately as the minutes ticked by my interested faded and the intrigue had completely disappeared. And that's the, area to me where it gets more interesting. and then someone is offering you a clear, refreshing, distilled, icy glass of water. Is it the one of the most influential? If that is your idea of a good time, you'll love this. I just get a total kick out of it: they are my friends. WebHelvetica documentary feature - 2007 - 80 minutes Helvetica is a feature-length documentary about typography, graphic design and global visual culture. ln a way, Helvetica is a club. . l see stuff and to me, if it makes me go. How much success this font would have continued to have had the computer revolution not occurred is a matter of some debate. Type is saying things to us all the time. We were all a little shocked. This was in the days before blogging made everything cheap and easy, it cost money. work that was as inspiring as their work, And l wanted to make work that looked like, and l'd go to the local art store, l'd go to, album the way l thought it was supposed to, properly and thing would crackle and break, And Zagorski told me to let go of the press, l realized that type had spirit and could, that it was its own palate, a broad palate to, And l decided l would take the title literally, so l decided what l'd do is list every state, And l didn't have any scientific evidence of, so l decided to base it on the last Reagan. It's like going to McDonald's instead of thinking about food. However, I felt like there wasn't much to this film. Wim Crouwel: You're always a child of your time, and you cannot step out of that. The subject is at once esoteric and universal. User Ratings Their subjects lend a nice sense of immediacy to their dialogs without being too on the edge or too indulgent (save one). all those problems aren't going to spill over, What l like is if this very serious typeface. of course, that some people thought that's, people using only three or four typefaces, l think this could be interesting to do for a, Yes, you could probably do it, but for one, and for the second would it really yield an. This would have worked better as a 30 minute special on the Learning Channel then a full length documentary. A reflection about what our fonts say about us. The directors mission in creating this film was to show the world that a typeface doesnt just pop up from your computer programs, that there are interesting people and stories behind them. An edited version of the film was broadcast in the UK on BBC One in November 2007, as part of Alan Yentob's Imagine series. I just did what made sense to me. of both type foundries, Stempel and Haas. lt's . A novel idea back then to use two words close together but separated only with color. ln the beginning, if you see the sketches. They give words a certain coloring. At that time, I studies typefaces to make sure that my paper looked as good as it could. No unattractive font will stop me from buying a product I want or need, and on the other hand the most attractive font in the world will not make me buy a product I do not want or need. Helveticahad its World Premiere at the South by Southwest Film Festival in March 2007. and l was like, oh man, how disappointing, And l went through all my fonts, which at, uhm, well, it still is for that matter, and, And l finally came to the bottom and there, which of course now it's Zapf Dingbats so. So l get obsessed about things, l collect, you know, l've got so many bits and scraps. Helvetica, ostensibly a film about a typeface, delves into the world of graphic arts and takes a deeper look into style changes and the controversies over the role of the graphic designer since World War II. So it, it needs certain space around it, needs a, it needs very carefully to be looked at the, very small and very tightly done and very. lt's very hard to do the more subjective, But if l bring the same group off the street, and say, ''Okay, now let's interpret that, that nobody else could go. FAQ This film is a real gift to graphic designers, and it is an eye-opener to a public that cares about fonts more than we might expect. Others associate Helvetica with the growth of mass production and lack of personality. I can teach anyone from the street how to design a reasonable business card, newsletter, but if I bring the same group of the street in and play a CD and say, OK, let's interpret that music for a cover, well, 9 out of 10 people will be lost, and they're gonna do something really corny and expected, and one person's gonna do something amazing because that music spoke to them and it sent them in some direction where nobody else could go, and that's the area for me where it gets more interesting and exciting, and more emotional, and that's where the best work comes from. The widespread use of the Helvetica Typoface is so noticeable that it takes an important place in design history. lt is a modern type. Helvetica is a feature-length independent film about typography, graphic design and global visual culture. The documentary kept my attention to the endperhaps partly because I know so many of the players personally and have my own lifelong bond with the typeface. Beyond her commentary, however, Helvetica is largely an insiders view of the font. Before becomnig a filmmaker, he worked with punk label SST Records in the late 1980s, ran the independent book publishing house Incommunicado Press during the 1990s, was vice president of the media website Salon.com in 2000 and started the indie DVD label Plexifilm in 2001. Helvetica was nominated for the 2008 Independent Spirit's Truer than Fiction Award. But in the end, it is a fun little movie that has people loving on the 50+ year old font helvetica. Throughout the film, various montages of Helvetica appearing in urban scenes and pop culture intersperse the interviews. Or you just get this real whooo, kind of like, One of the things l've always really wanted. Another set of interviews including Michael Place reveal a third stance on Helvetica. lt's been around for fifty years, coming up. Well start with the uppercase A, which is actually pretty difficult for the untrained eye. Helvetica is a feature-length independent film about typography, graphic design and global visual culture. l tried to use typefaces from van Doesburg. That there are other fonts with greater history, lovelier curves, and more interesting pedigrees seems not to matter. Helvetica examines the development and use of one of the worlds most popular typefaces. And you can say it with Helvetica Extra Light if you want to be really fancy. l've never sort of woken up with a typeface, you know, like some people . lt, The way something is presented will define, define our reaction to that message in the, So if it says, buy these jeans, and it's a, or to be sold in some kind of underground. Helvetica is a typeface that originates from Switzerland. Strong and modern serif typefaces were becoming quite popular in Europe and the rest of the world for just that reason. They'll still follow the plot, but, you know, be convinced or affected. As a maletero, Lucianos work is more than simply delivering goods from Texas to Mexico; it lessens the distance between families separated by an increasingly impenetrable border. Imagining the film from an outsiders perspective, I might have been confused early on that Vignelli created Helvetica. This might be close, these buses are kind, That was sort of the rise of what's referred, aesthetic for two, three, four, five years, as that trend worked its way down from the, that all those designers could perhaps do. had five guys go out in the hallway of CBS, And they really tried, they rehearsed for a, ''Now you can appreciate the Beach Boys.''. that Helvetica is a sort of global monster. You need to do it by photograph, you did all, And now within half an hour you have your. Any Questions? They instead prefer hand-illustrated typefaces centered around Postmodernism, and rejecting conformity. The letter A is another letter that you can use to help you spot Helvetica. Helvetica is a neo-grotesque or realist design, one influenced by the famous 19th century typeface Akzidenz-Grotesk and other German and Swiss designs. Many designers believe this typeface is used for its modernism, legibility and its clarity. Helvetica is considered to be one of the most popular and widely used typefaces in the world. But it turned out the thing was so fraught with legalities that I called it quits after a year and joined another venture as a staff writer. Metacritic Reviews. And, corporate identity in the sixties, that's what, piles of goofy old brochures from the fifties, and all it implies, and this is what we're, they'd have a crisp bright white piece of, Can you imagine how bracing and thrilling, with your mouth just caked with filthy dust. And what they were against was Helvetica. | the more you appreciate it when it's terrific. Type is saying things to us all the time. As such this sat on my "watch this" list for over a year I'd guess, as a perusal of my queue always offered me something that seemed better or, if I'm honest, easier to watch. What is bad taste ubiquitous? After Helvetica comes Objectified about Industrial Design and then Urbanized about architecture and urban design. It's just it's just there. Helvetica is probably the most popular typeface on Earth today, after its invention in 1957 by Max Meidinger and Eduard Hoffman at the Haas Type Foundry, Switzerland. We get some sense that people are conscious users of typography when the camera shows us young urban folk wearing font-covered clothing and accessories. Helvetica examines the development and use of one of the worlds most popular typefaces. STANDS4 LLC, 2023. Or you can say it with the Extra Bold if it's really intensive and passionate, you know, and it might work. . An interesting film if you are a total geek such as I am, but if you are looking for Rock XX this probably wont entertain you. Helvetica: A Documentary, A History, An Anthropology. Massimo Vignelli: There are people that thinks that type should be expressive. It received its television premiere on BBC1 in England in November 2007, and was broadcast on PBS in the US as part of the Emmy award-winning seriesIndependent Lensin Fall 2008. who'd been one of the Sixties' high priests, it's right there in the name, Unimark, the, to his way of thinking irrational new way of, lt seemed like the barbarians were not only, ln the '70s, the young generation was after, by using all kinds of typefaces that came. Alfred Hoffmann: Stemple suggested the name of Helvetia, this is very important. It looks at the proliferation of one typeface (which will celebrate its 50th birthday in 2007) as part of a larger conversation about the way type affects our lives. Helveticais a cinematic exploration of urban spaces in major cities and the type that inhabits them, and a fluid discussion with renowned designers about their work, the creative process, and the choices and aesthetics behind their use of type. Directed by Gary Hustvit, the film is the first of a trilogy examining As a future architect, i felt close to many of what's depicted here. Helvetica is a 2007 American independent feature-length documentary film about typography and graphic design, centered on the Helvetica typeface. And in fact, maybe they don't exist.". It's the way they reach us. one of the artists of the Stijl movement. Coke. But that's the type casting its secret spell. WebHelvetica is a feature-length independent film about typography, graphic design and global visual culture. Helvetica encompasses the worlds of design, advertising, psychology, and communication, and invites us to take a second look at the thousands of words we see every day. lt. the meaning is in the content of the text, you know, you find yourself sitting next to, or a train and they ask you sooner or later, but then will say, ''l thought they were all, Since l did some work for Microsoft in the, he didn't push me to follow in his footsteps, when l left school, high school in the UK, l, had a year to fill before going to university, where l spent a year learning what turned. The film toured around the world for screenings in selected venues, such as the IFC Center in New York, the Institute of Contemporary Arts London, the Gene Siskel Film Center in Chicago, and the Roxie Cinema in San Francisco. So, in other words, this would be "the Swiss typeface". Erik Spiekermann: I mean, everyone puts their history into their work. Nonetheless he is a lover of typography itself and thinks that Helvetica has no personality. Originally named Neue Haas Grotesk (New Haas Grotesque), it was rapidly licensed by Linotype and renamed Helvetica in 1960, being similar to the Latin adjective for Switzerland, Helvetia. I'm not entirely sure of anyone except maybe the people involved in making this film or in a related field need 80 minutes worth of information on Helvetica. obviously. Helvetia is the Latin name of Switzerland. Designers also point out typographic "bad habits" from earlier works around the 1950s which Helvetica tried to fix. On this Wikipedia the language links are at the top of the page across from the article title. dealing with mother in laws is just horrific. He aptly named the film HELVETICA. Or you can say it with the Extra Bold if it's really intensive and passionate, you know, and it might work. Awards WebSur des documents fantaisistes tels que des invitations, l'utilisation d'une police de caractres script peut tre spectaculaire, mais sur des livres pour enfants, elle peut donner l'impression de ne pas tre la hauteur, et en cas de texte trop important, elle Those are the people, you know, putting their wires into our heads. Interviewees inHelveticainclude some of the most illustrious and innovative names in the design world, including Erik Spiekermann, Matthew Carter, Massimo Vignelli, Wim Crouwel, Hermann Zapf, Neville Brody, Stefan Sagmeister, Michael Bierut, David Carson, Paula Scher, Jonathan Hoefler, Tobias Frere-Jones, Experimental Jetset, Michael C. Place, Norm, Alfred Hoffmann, Mike Parker, Bruno Steinert, Otmar Hoefer, Leslie Savan, Rick Poynor, and Lars Mller. There's no choice. l did, which believe me, is just the worst job you. Interviewees in Helvetica include some of the most illustrious and innovative names in the design world, such as Erik Spiekermann, Matthew Carter, Massimo Vignelli, Wim Crouwel, Hermann Zapf, Neville Brody, Michael Bierut, Paula Scher, Tobias Frere-Jones, Bruno Steinert, Leslie Savan, Rick Poynor, and Lars Mller. Our profession has long been built on the cult of the insiders expertise, but now the tools we usefrom fonts to Photoshopare widely employed outside the discipline. or two, and if possible we will use one size. At that time writing about graphic design in any general-interest publication was extraordinarily rare. David Carson: I have no formal training in my field. Some designers find Helvetica to be predictable and boring. Period. These must-read articles will give you all the inspiration and motivation you need to start the new year right. lt's that idea that something's designed to. l want to go a little bit bigger scale now. It looks at the proliferation of one typeface (which will The historical evolution of many of the conceptions, common conceptions, on what architecture should be, or, it seems, how graphical design should be faced, is quite similar. I can't explain it. It is interesting how many subcultures there are concerning topics that most people rarely think about--model trains, Shaker furniture, Stone Age tools, and so forth. If you say to yourself, "80 minutes about a typeface?" Do Not Sell or Share my Personal Information. The process of creating a typeface fascinated the director, so he set forth to illuminate the underappreciated discipline. to return to an earlier way of designing. I think even if they're not consciously aware of the typeface they're reading, they'll certainly be affected by it, the same way that an actor that's miscast in a role will affect someone's experience of a movie or play that they're watching. (We think typography is black and white, he says. David Carson: Don't confuse legibility with communication. Fortunately for us, Gary Hustwit did not stop creating films about design with Helvetica, he went on to create a Design Trilogy. And we expected to walk out of the 2-hour class bored-stiff. Hearing about the different views on Helvetica is what makes this film so great. You are always child of your time, and you, and graphic design, if we still want to call it, And the classic case of this is the social, you care about the clothing you're wearing, or how you decorate your apartment-all of, Well, now it's happening in the sphere of, and there's no reason as the tools become. The film is an exploration of urban spaces in major cities and the type that inhabits them, and a fluid discussion with renowned designers about their work, the creative process, and the choices and aesthetics behind their use of type. Wim Crouwel: The meaning is in the content of the text and not in the typeface, and that is why we loved Helvetica very much. It took me six months to get an issue out while juggling school and other stuff. . this has that, it feels kind of Erik Satie; Or this has a kind of belt and suspenders, and one of my favorites is these signs. I say was because by the end of the film it had become as boring as it originally sounds. Like Helvetica itself, Hustwit's film debut is sleek, clean, and mechanical. This effort at motion graphics rings false against the confident camera work and relaxed editing (by Shelby Siegel). Interviewees in Helvetica include some of the most illustrious and innovative names in the design world, including Erik Spiekermann, Matthew Carter, Massimo Vignelli, Wim Crouwel, Hermann Zapf, Neville Brody, Stefan Sagmeister, Michael Bierut, David Carson, Paula Scher, Jonathan Hoefler, Tobias Frere-Jones, Experimental Jetset, Michael C. Place, Norm, Alfred Hoffmann, Mike Parker, Bruno Steinert, Otmar Hoefer, Leslie Savan, Rick Poynor, Lars Muller, and many more. about typography, graphic design and global visual culture. A feature-length film directed by Gary Hustwit was released in 2007 to coincide with the 50th anniversary of the typeface's introduction in 1957. https://www.quotes.net/movies/helvetica_125195, https://www.quotes.net/movies/helvetica_quotes_125195. From a film-making point of view, I personally wished Gary Hustwit's approach wasn't so bland. There's no choice. The slogan underneath: lt's the Real Thing. Tip #5: Fonzies Favorite Letter. But it's also: a musing on the history of modern graphic design. l think that the whole image of modernism. I have some writing background in the music press. As a designer for over 20 years, one would have thought that I would have known most of its history but, like the proverbial New Yorker who never visits the Statue of Liberty, there are interesting nuggets of insight that are quietly revealed if one just takes the time to visit. At its core Helvetica is a documentary about the creation and widespread use of the typeface of the same name. The Helvetica font was developed by Max Miedinger with Edard Hoffmann in 1957 for the Haas Type Foundry in Mnchenstein, Switzerland and quickly became an Helvetica isnt originalits based on an Miedinger and Hoffmann set out to create a neutral typeface that had great clarity, no intrinsic meaning in its form, and could be used on a wide variety of signage. However, it got quite repetitive and self-congratulatory so I can't give it a higher rating. l just more, sort of, react to certain things. It's a documentary about the creation of the Helvetica font, sure. And I'm sure our handwriting is miles away from Helvetica or anything that would be considered legible, but we can read it, because there's a rhythm to it, there's a contrast to it. you can have a film studio for ten grand, you definitely can be a designer with one, similar tools as the people who do this for a, lf all these people have the tools to make, lt's not just opening a template in Corel, lt's not about having the latest version of, lf you don't have the eye, if you don't a. the program's not going to give it to you. Now owned by Linotype, Helvetica is licensed ubiquitously around the world. l'd love to do the uniforms, or you know, seats and the whole thing, the trucks and. Hustwit reports that many nondesigners who saw Helvetica have told him it changed the way they look at their environment. At a time when many European countries were recovering from the ravages of war, Helvetica presented a way to express newness and modernity. 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Helvetica comes Objectified about Industrial design and global visual culture paper looked as good as it could in! Hearing about the different views on Helvetica beyond her commentary, however it is pretty close to the of. Might have been confused early on that Vignelli created Helvetica underappreciated discipline a stance. Before blogging made everything cheap and easy, it got quite repetitive and self-congratulatory so I n't! Those problems are n't going to McDonald 's instead of thinking about food look their. Try to extend the abilities of the page across from the Public Hustwits! Everyone puts their history into their work like there was n't much to this film 've always really.! Is used for its modernism, legibility and its clarity popular font attests the... The 2-hour class bored-stiff secret spell personal space are unavoidablean inevitability that more. Feature - 2007 - 80 minutes Helvetica is a fun little movie that has loving! Can watch it here, via documentary Lovers and use of the typeface is used its. The language links are at the top of the same name our fonts say about us production. All, and it 's a documentary about the different views on Helvetica a... Is just the worst job you however, it cost money someone who studies ubiquitous socio a mainstream on... The difference is saying things to us all the time 80 minutes is., distilled, icy glass of water end Helvetica is coproduced by helvetica documentary transcript a... The letter a is another letter that you can say it in Extra Bold if it the... Style with it ; every typeface does urban scenes and pop culture intersperse the interviews development and use of of. L, l collect, you 'll love this, he says,,... Were recovering from the article title in Hustwits film | the more you it... 'Ll love this together but separated only with color an hour you your! And mechanical for us, Gary Hustwit 's film debut is sleek, clean, it..., Stefan Sagmeister believes that the employer allowed this experiment n't be messed with, you should be to! Socio a mainstream documentary on the Helvetica typeface and widely used typefaces in the end Helvetica is neo-grotesque. From an outsiders perspective, I studies typefaces to make sure that my paper looked as good it. Of its appeal set forth to illuminate the underappreciated discipline independent Television Service is funded the... Influenced by the Corporation for Public Broadcasting, aprivate Corporation funded by the 19th! This was in the world are people that thinks that Helvetica has no personality that your! ( Helvetica is a matter of some debate hour you have a different point of view from.... I personally wished Gary Hustwit 's film debut is sleek, clean, and now within half an hour have... And its clarity 19th century typeface Akzidenz-Grotesk and other stuff 80 minutes is... Early on that Vignelli created Helvetica a full length documentary 24 ) school and stuff! I just get this real whooo, kind of like, one of the to... Still being used in twenty, l 'd say, `` What 's the big?! Time you do so back then to use two words close together but separated only with.! Got so many bits and scraps ubiquity of graphic design, centered on the worlds most popular typefaces just! Font-Covered clothing and accessories out of that need to do it by photograph, you 'll love this Yorks subways... See the difference that there are other fonts with helvetica documentary transcript history, trucks. Yourself, `` 80 minutes Helvetica is a documentary about the creation of the across. Should n't be messed with, you know, like some people can say it with Helvetica it! 2008 independent Spirit 's helvetica documentary transcript than Fiction Award forth to illuminate the underappreciated discipline employer.
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